Over at my Vera Van Slyke ~ Ghostly Mysteries site, each weekend, I post an actual ghost report that had been published in a U.S. newspaper between 1865 and 1918. It’s all part of what I’m calling my Spectral Edition project. There are several reports already available, and they’re very offbeat. I’m still trying to figure out what we can learn from the nearly 300 such ghost reports that I’ve found. There’s a book here. I’m just not sure what kind of book.
I’ve also started recording myself reading these ghost reports, and they’ve become a regular feature on Patrick Keller’s The Big Séance Podcast. He explores just about all aspects of the paranormal. I’m very happy that I’ve become a part of that show.
Over at my Vera Van Slyke ~ Ghostly Mysteries site, I offer a Halloween gift. It’s another of the chronicles that I inherited from my great-grandaunt, a chronicle that reveals much about her ghost-hunting employer, Vera Van Slyke.
“King Midas Exhumed” also tells the tale of a barkeeper who got much more than he asked for — and not in a good way. He wanted to attract customers to his tavern by giving it a reputation for having a ghost.
But one should be cautious about profiting from being haunted.
The story is available in .pdf, .epub, and .mobi (Kindle) formats, and it will remain there through November. Look for A Complimentary Haunting.
Fans of the supernatural sleuth — Mulder and Scully from “The X-Files,” are more recent instances — should also look for “Giving Up the Ghosts” (Coachwhip, $14.95). Editor Tim Prasil introduces several psychic investigators who feature in two or three stories apiece by the likes of Gelett Burgess and A.M. Burrage, among others. Included is Blackwood’s Jim Shorthouse, a precursor to the author’s more famous specialist in the outré, John Silence; don’t miss Shorthouse’s deliciously kitschy visit to a werewolf, “The Strange Adventures of a Private Secretary in New York.”
“Every day, in my profession, we have proof of the existence of forces for which we have, as yet, no explanation–or, at best, a very crude one. I have had case after case of premonition; case after case of dual and even multiple personality; case after case where apparitions played a vital part in the plot which was brought to me to investigate.”
So says Robert W. Chambers’ detective who specializes in locating those gone missing. In fact, the series featuring this investigator, Westrel Keen, is titled The Tracer of Missing Persons (1906). As suggested above, Keen occasionally handles a case that involves the supernatural. Keen, then, is yet another occult detective on my long list of ghostly groceries. (He stands as the 82nd character on that still growing bibliography. If I make it to an even 100, I expect a parade, thank you kindly!)
Two of the five stories in the Tracer series involve the occult. The first, “Solomon’s Seal,” is a love story involving a man and woman who’ve never met. The tale touches on astral projection and “ghost” photography, but it’s use of an encrypted message seems to be the real focus. The second supernatural story is “Samaris,” which is mostly about a man trying to retrieve a mummy he stole from the men who stole it from him. Perhaps to give the case a more romantic, happily-ever-after spin, Chambers tosses in a bit of mystical magic at the end. I’ll just say there’s at least one way around being accused of having stolen a mummy.
In other words, in both stories, Chambers is writing romance-mysteries that import the supernatural, not supernatural fiction that has a detective character and a dash of romance. Westrel Keen is likely to disappoint some fans of the occult detective cross-genre because of this. The supernatural is neither unsettling nor menacing here. Instead, Keen taps into the cosmic powers of attraction rather than the cosmic powers of evil or justice.
Nonetheless, Keen is an interesting and distinctive character in 20th-century mystery. He became especially prominent in radio from the 1930s to the 1950s and even made it to a television series in the 1980s. I really don’t know for sure, but I have a hunch that none of these subsequent adventures in electronic media included ventures into the occult. Let me know if I’m wrong.
Perhaps the author, Robert W. Chambers (1865-1933), is the greater draw for fans of supernatural fiction. His The King in Yellow(1895) is considered a classic of early weird fiction and a possible influence on H.P. Lovecraft.